Project Showcase:
ChartAccent (2016) · Timeline Storyteller (2017) · Charticulator (2018)
ChartAccent
Create annotated & accentuated charts with a few clicks.
chartaccent .github.io
By Donghao Ren (UCSB), Matthew Brehmer, Bongshin Lee, Tobias Höllerer (UCSB), and Eun Kyoung Choe (UMD).
“the annotation layer is the most important thing we do... otherwise it’s a case of here it is, you go figure it out."
- Amanda Cox, New York Times Graphics Editor
Forms of Annotation
Forms of Annotation
Forms of Annotation
Create annotated & accentuated charts with a few clicks.
In the browser or in Power BI (bar and line charts).
Consider the space of annotation targets and forms.
I've hopefully relayed the richness of the timeline design space in terms of different visual representations and time scales and their different communicative purposes,
Timeline Storyteller
A tool for designing and presenting visually expressive timeline narratives.
timelinestoryteller .com
By Matthew Brehmer, Bongshin Lee, and Nathalie Henry Riche, with Chris White, Darren Edge, David Tittsworth, and Kate Lytvynets.
Based on design research conducted in collaboration with Benjamin Bach (University of Edinburgh) and Tamara Munzner (UBC).
The daily routines of famous creative people
Inspired by infographics by Podio and info we trust ; data source: Daily Rituals: How Artists Work by Mason Currey (2013)
As a second example that ties all of this together, I'm going to present a story about the daily routines of famous creative people.
MAX : What you see here is a set of radial timelines depicting a typical 24 hours in the lives of 26 writers, artists, composers, and the like.
When they work, eat, sleep, exercise, and do other activities.
NEXT : A good starting point is to ask: when do creative people create? Are people similar in this regard?
It looks as though some people prefer to work in short, focused bursts, like Darwin or Kant, while people like Murakami and Voltaire get up early and work for long uninterrupted periods of time.
Meanwhile, you have people like Kafka who work all night long.
NEXT : We can also ask about the relationship between sleep and creativity: how much? how often? and when do creative people sleep?
Most people in this dataset sleep at night, with notable exceptions like Balzac who would turn in at 6pm, and Kafka, who just seemed to keep odd hours.
What about variation and creativity? How often should you change activities if you want to be creative?
NEXT : This chronological scale isn't the best way to convey the number or heterogeneity of activities, so let's transition to a sequential scale.
NEXT : To determine who varied the most and least, a linear representation is perhaps best, where we can easily see that Darwin has the most varied day of all the people in this dataset,
while Murakami prefers less variation.
NEXT : Finally, we can restore chronology to compare these timelines just by scanning up and down, to spot synchronocities like who tends to work or sleep at the same time.
And this is a good design choice to close with, to invite the viewer to compare their own daily rhythym to these creative people.
What happened when?
In what sequence did the events occur?
How long did the events last?
How long between event A and event B ?
Did A and B co-occur?
When did A and B occur relative to event C ?
Basically, a timeline communicates to the viewer "WHAT HAPPENED WHEN?".
CLICK : But if we unpack this question, a timeline can answer a number of more detailed questions, like:
In what sequence did events occur? How long were they? Did event A and event B co-occur? And when did they occur relative to some baseline event, say event C?
These questions relate to the second dimension of our design space, and that pertains to time scale.
A Timeline Design Space
representations:
scales:
layouts:
Our timeline design space has
CLICK : Five representions, NEXT : five scales, NEXT : and third dimension which we call "Layout", or how to draw one or more timelines within a page or display:
this has to do with deciding between a single timeline, faceting into multiple timelines, like how I showed one timeline per golfer,
or wrapping a single timeline into meaningful segments of time, like a decade or a century.
Common visual representations of time :
Image: Joseph Priestley (1765)
Perhaps the most common representation for time is linear: the time as an arrow metaphor.
What you see here is part of Joseph Priestley's 'Chart of Biography published over 250 years ago,
Image: Joseph Priestley (1765)
Here time is mapped from left to right (the years are BCE here); you can see the lifespans of a number historical figures, offset vertically to avoid overdrawing.
Otherwise there’s no meaning to the verical placement aside from faceting the data with statesmen at the bottom and "men of learning" at the top.
This left-to-right linear representation of time remains popular today, but it is certainly not the only way to present a set of events.
Image: LadyofHats (Wikimedia Commons)
Radial representations are especially effective when presenting and highlighting natural cycles and events that repeat,
Like biological life cycles or the seasons of the year.
Image: flickr/46704958@N07
But of course time is both linear AND cyclic, like this staircase, something that repeats and yet coils upwards or forwards.
Spirals are certainly another way to represent time, though one that is less common than the line or the circle.
Image: flickr/studiocurve
Yet another representation for time is the grid, often manifested as a calendar.
Like radial representations, calendars are good for showing repeating events and deviations from patterns of events,
especially when these patterns correspond to conventions of weekdays and weekends, and months.
See "How to make history dates stick " by Mark Twain in Harper's Monthly Magazine (1914).
The last class of representation that I'll speak about is not restrained by a specific shape.
These whimsical curved timelines were drawn by Mark Twain, which he proposed as a mnemonic aid for remembering dates using annotated curves.
Many timeline infographics that we see today have this sort-of freeform board-game-like appearance,
though I can't say if they actually help people to remember events.
Timeline Storyteller for the web and Power BI
Choice of representations and time scales
Incrementally reveal, hide, highlight, and annotate
Export, share, and present
So now that we have all of these design choices, how do we use these design choices to tell stories with timelines?
CLICK : In other words, how do combine different points in this design space?
This is important because despite the variety of ways that we visually represent and scale time, existing timeline presentation tools limit us linear representations and chronological time scales.
CLICK : Existing tools also tend towards a chronological narrative: either the whole timeline is shown up front, so readers are likely to begin at the start of the timeline, or events are revealed in chronological order.
For some stories, a chronological introduction of events makes sense, while for others it does not, like in my golf example, in which I revealed the careers of golf legends Ben Hogan and Jack Nicklaus later, adding context to the careers of current golfers.
To achieve this expressive narrative design, we can make use of animation, highlighting, and annotation to incrementally reveal parts of a narrative and make new comparisons.
More Timeline Storyteller Stories
Results
Power BI version : 14K+ downloads, 2K unique monthly users, 35K+ YouTube views, 30+ tech news / blog posts, several community-produced tutorials.
Web version : 223 cases where authors opted into sharing their unique exported content with us.
Storytelling contest : 7 entries, 1 winner, 1 honorable mention.
Power BI Community Storytelling Contest
Timeline Storyteller
A tool for designing and presenting visually expressive timeline narratives.
timelinestoryteller .com
I want to finish by reiterating that despite the apparent simplicity of the question of "what happened when?",
I've hopefully relayed the richness of the timeline design space in terms of different visual representations and time scales and their different communicative purposes,
Charticulator
Create bespoke chart layouts without programming.
charticulator .com
By Donghao Ren (UCSB), Bongshin Lee, and Matthew Brehmer
with Nathan Evans, Chris Trevino, David Tittsworth, and Kate Lytvynets.
Chapter 11: Evaluating Data-Driven Stories & Storytelling Tools by Fereshteh Amini, Matthew Brehmer, Gordon Bolduan, Christina Elmer, & Benjamin Wiederkehr
Data-Driven Storytelling (CRC Press, 2018)
Once again, you will find the paper and tons of supplemental material at timelinesrevisited.github.io,
And you can go to timelinestoryteller.com to create your own timeline stories.
We’re interested in studying what stories you create using the tool, as well as collaborating with you to create compelling stories.
With that, thank you very much and I look forward to your questions and comments.